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[图库] 两位著名作者的拿破仑时代油画

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发表于 2007-4-26 11:02:07 | 显示全部楼层 |阅读模式
http://www.fortunecity.com/westwood/guerlain/289/meissonier/gallery1.html
Jean-Louis Ernest Meissonier,不用介绍了吧?

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 楼主| 发表于 2007-4-26 19:00:36 | 显示全部楼层
分别是the Siege of Paris
La Halte
Information:General Desaix and the Peasant

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发表于 2007-4-26 23:34:22 | 显示全部楼层
都是珍品哪,把最后那张也补出--德塞那张。

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发表于 2007-4-27 08:42:23 | 显示全部楼层
第二张是巴黎公社?
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 楼主| 发表于 2007-4-27 10:24:31 | 显示全部楼层
Edouard Detaille (1848 - 1912)Born in Paris on October 5, 1847, the young Detaille was          surrounded by military figures from his grandfather, who had          worked as a sutler responsible for organising Napoleon's          transports, to a great aunt, who had married Admiral          Villenueuve. Nonetheless, his only ambition was to be an          artist and he let it be known that he wished to study with          Cabanel. Through various circumstances, however, he ended up          in the great Meissonier's studio. It was in 1867 that the          young artist first exhibited a picture, showing a view of          Meissonier's studio. In the following year, he showed his          first military piece. While it was based solely on          imagination, The Drummer's Halt represented a scene from the          French Revolution. This was to be the beginning of a          glorious career painting many military scenes from French                  history.The Franco-Prussian War had a profound effect on the          artist, particularly as it forced him to see war in          person. On the outbreak of war, he enlisted in the 8th          Mobile Batallion and by November 1870 was attached to          General Ducrot's staff seeing action in the fighting around          Paris. On the Marne, he saw regiments under fire, groups of          skirmishers dispatched to the front and senseless          retreats. These experiences of war enabled him to produce          many strikiing protrayals of the actions. Indeed, in 1872,          he was forced to withdraw two paintings of the war from an          exhibition so as not to offend Germany.  Over the next few          years, Detaille exhibited some of his finest paintings of          the conflict, such as Salut aux Blesses of 1877, La Defense          de Champigny of 1879, and Le Soir de Rezonville. With de          Neuville, he produced two large panoramas of the battles at                        Champigny and Rezonville.Now a celebrity, he travelled extensively through Europe          between 1879 and 1884, taking time only to visit Tunisia          with a French expeditionary force where he was witness to          some fighting. In Britain, he painted a review of British          troops by the Prince of Wales and a scene showing Scots          Guards in Hyde Park. It was at this time that Detaille was          developing a deep interest in the French army and he          produced all the drawings and plates for Jules Richard's          Types et Uniformes de l'Armee Francaise, 390 images in          all. With all his work, Detaille painted in a slow and          methodical way so as to produce his subjects naturally,                        realistically, and, most important of all, truthfully.By the 1890s, Detaille was turning more and more to the          campaigns of Napoleon. He produced many striking battle          scenes, including dashing cavalry charges. He used many          original items of uniform and weapons to give authenticity          to his pictures, and many of these artifacts were used in          the creation of the Musee de l'Armee in Paris, which                        Detaille helped found.

见鬼了,明明是JPEG格式的图片,论坛说不支持上传~
我先直接给地址吧http://dl.lib.brown.edu:8080/exist/mjp/plookup.xq?id=DetailleEdouard

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 楼主| 发表于 2007-4-27 10:26:51 | 显示全部楼层
最近上论坛不是一般的慢,也不知为什么,图片也没法好好整理,真是抱歉了。
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发表于 2007-12-18 19:53:04 | 显示全部楼层
好资料啊,很清晰.
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发表于 2008-7-4 14:33:00 | 显示全部楼层
从俄国撤军原来是梅索奈画的啊
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